100percentmen: Every journalist to whom President Obama grants off-the-record briefings, according to Politico. (h/t @c_heller) 100percentmen: Every journalist to whom President Obama grants off-the-record briefings, according to Politico. (h/t @c_heller) 100percentmen: Every journalist to whom President Obama grants off-the-record briefings, according to Politico. (h/t @c_heller) 100percentmen: Every journalist to whom President Obama grants off-the-record briefings, according to Politico. (h/t @c_heller) 100percentmen: Every journalist to whom President Obama grants off-the-record briefings, according to Politico. (h/t @c_heller) 100percentmen: Every journalist to whom President Obama grants off-the-record briefings, according to Politico. (h/t @c_heller) 100percentmen: Every journalist to whom President Obama grants off-the-record briefings, according to Politico. (h/t @c_heller) 100percentmen: Every journalist to whom President Obama grants off-the-record briefings, according to Politico. (h/t @c_heller) 100percentmen: Every journalist to whom President Obama grants off-the-record briefings, according to Politico. (h/t @c_heller)

100percentmen:

Every journalist to whom President Obama grants off-the-record briefings, according to Politico. (h/t @c_heller)

May. 25 2013
Via 100percentmen
#Journalism #Sexism
19 notes

Good morning.

May. 25 2013
#Lou Reed #Modern Dance
Good night. Good night. Good night.

Good night.

(via thebluthcompany)

May. 23 2013
Via thebluthcompany
#Good night #Arrested Development
13,273 notes
arrestedwesteros: Buster: Hey, possible nephew. Notapusy - 3x04 submission from Brenna Crotty and Adam Hunter

arrestedwesteros:

Buster: Hey, possible nephew.

Notapusy - 3x04

submission from Brenna Crotty and Adam Hunter

May. 23 2013
Via arrestedwesteros
500 notes
likeafieldmouse: Francis Alys - Fabiola (2008) “The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil. Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.” likeafieldmouse: Francis Alys - Fabiola (2008) “The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil. Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.” likeafieldmouse: Francis Alys - Fabiola (2008) “The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil. Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.” likeafieldmouse: Francis Alys - Fabiola (2008) “The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil. Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.” likeafieldmouse: Francis Alys - Fabiola (2008) “The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil. Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.” likeafieldmouse: Francis Alys - Fabiola (2008) “The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil. Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.” likeafieldmouse: Francis Alys - Fabiola (2008) “The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil. Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.” likeafieldmouse: Francis Alys - Fabiola (2008) “The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil. Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.” likeafieldmouse: Francis Alys - Fabiola (2008) “The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil. Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.” likeafieldmouse: Francis Alys - Fabiola (2008) “The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world. Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil. Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.”

likeafieldmouse:

Francis Alys - Fabiola (2008)

“The story of St. Fabiola, a 4th-century Roman aristocrat from the Fabia family who is supposed to have been an early Mother Teresa, became popular in the late 19th century, and an 1885 portrait of her by a French academician (which is now lost) has since been endlessly copied around the world.

Appearing on postcards, posters and religious trinkets, Fabiola has been a beloved subject for countless painters, most of them amateurs. The portrait’s format is almost always the same: Fabiola is seen in profile facing left, her head covered by a rich red veil.

Mr. Alys, who was born in Belgium in 1959 and moved to Mexico City in 1990, began collecting Fabiola paintings—as the genre is called—about 15 years ago, buying them at thrift shops, flea markets and antiques stores primarily in Mexico and Europe. He has previously shown his collection three times, when it was much smaller; the current presentation includes more than 300 works.”

(via wnycradiolab)

May. 23 2013
Via likeafieldmouse
#Art
3,299 notes
“One thing I’ve been wanting to do is change all the sounds of the subway turnstiles, so that when you go through, instead of a slightly out-of-tune beep, it would sound like [makes angelic sound of serenity]. It would have a simple chip that would cost, like, a penny. You could tune them in a station to have a particular key, so rush hour at Grand Central could mathematically match the value of a piece by Brahms or something. Rush hour becomes very pleasant, sonically, rather than so incredibly unpleasant. Most cities sound much nicer. New York is quite brutalist, which I love about it, but I think a moment of social kindness would be really appreciated.”
— James Murphy.
May. 23 2013
Via The Wall Street Journal
#LCD Soundsystem #James Murphy #MTA #Wall Street Journal #Subway
12 notes
seventy-five-percent-water: Gymnosomata, commonly known as Sea Angels. An apt name- the sea angels are the ethereal, translucent, fluttering angels of the sea.  In hard scientific terms, they’re small swimming sea slugs, but we’ll pass over that for now and just admire how delicately beautiful these wonderful creatures are. Good night. seventy-five-percent-water: Gymnosomata, commonly known as Sea Angels. An apt name- the sea angels are the ethereal, translucent, fluttering angels of the sea.  In hard scientific terms, they’re small swimming sea slugs, but we’ll pass over that for now and just admire how delicately beautiful these wonderful creatures are. Good night. seventy-five-percent-water: Gymnosomata, commonly known as Sea Angels. An apt name- the sea angels are the ethereal, translucent, fluttering angels of the sea.  In hard scientific terms, they’re small swimming sea slugs, but we’ll pass over that for now and just admire how delicately beautiful these wonderful creatures are. Good night. seventy-five-percent-water: Gymnosomata, commonly known as Sea Angels. An apt name- the sea angels are the ethereal, translucent, fluttering angels of the sea.  In hard scientific terms, they’re small swimming sea slugs, but we’ll pass over that for now and just admire how delicately beautiful these wonderful creatures are. Good night. seventy-five-percent-water: Gymnosomata, commonly known as Sea Angels. An apt name- the sea angels are the ethereal, translucent, fluttering angels of the sea.  In hard scientific terms, they’re small swimming sea slugs, but we’ll pass over that for now and just admire how delicately beautiful these wonderful creatures are. Good night. seventy-five-percent-water: Gymnosomata, commonly known as Sea Angels. An apt name- the sea angels are the ethereal, translucent, fluttering angels of the sea.  In hard scientific terms, they’re small swimming sea slugs, but we’ll pass over that for now and just admire how delicately beautiful these wonderful creatures are. Good night.

seventy-five-percent-water:

Gymnosomata, commonly known as Sea Angels. An apt name- the sea angels are the ethereal, translucent, fluttering angels of the sea. 

In hard scientific terms, they’re small swimming sea slugs, but we’ll pass over that for now and just admire how delicately beautiful these wonderful creatures are.

Good night.

(via scinerds)

May. 22 2013
Via seventy-five-percent-water
#goodnight
16,138 notes
May. 22 2013
Via thedorseyshawexperience
3 notes
(via juliasegal, juliasegal)

(via juliasegal, juliasegal)

May. 21 2013
Via juliasegal
#Peanuts #Dancing
1,156 notes

And Mia Farrow tweeting about it adds to the creepiness.

May. 21 2013
1 note